(you're welcome to share these photos, but please provide a link to this post & photo credit. thanks!)
Buckcherry is one of the most fun, sexy, live rock bands I've seen, epitomizing everything that's exciting about rock n' roll. Josh Todd is clearly one of the last great (and highly underrated) showmen. So, the closest I will ever get to crowd surfing is taking up a random man's offer to put me on his shoulders to shoot over the crowd. I said no over and over and then thought "In the name of rock n' roll, I'm going up"! So, some of these photos were achieved atop this man's shoulders. Whatever it takes for the best shot!
(you're welcome to share these photos, but please ask permission before copying photos elsewhere or if reposting please provide a link to this post. thanks!- ash)
Last night I brought my camera to see Scott Weiland at City Winery. I was shooting from the crowd with a fixed lens among fellow fans. It's late so I'm not going to write a full review...all I'll say is Scott Weiland is last great rock star and any opportunity to see him play I'll take. The show was mostly new renditions of classic STP songs, and covers. I personally would have liked to hear more of Scott's solo material, but understandably the STP material appeals to the majority of fans. "Kitchenware and Candybars" was the standout song of the evening in my opinion, however the crowd seemed most excited and energized by the bass line leading into Janes Addiction's "Mountain Song". It seems that a lot of fans go see bands popular during the 90s for a nostalgic trip back to their youth. I only discovered Weiland's musc 8 yrs ago so I experienced his music in a different context. I'm much more excited by the stranger, experimental and romantic tracks. Apparently the Wildabouts are playing NY again this summer. I'd love to hear them swap out some of the cover songs for a few more original, rarely-performed Weiland songs like "Divider" and "Son" as well as some of STP's softer deep cuts like "Samba Nova", "Seven Caged Tigers", and "Wonderful" to name a few.
evening of July 12th, I jetted over from photographing a hip hop
group down at the Seaport to Irving Plaza to catch FILTER. The genius that came
up with the idea of a double header with Fuel and Filter deserves a kiss. Some
of the mashups today are a bit of a stretch.
Unfortunately, I didn’t make it in time for Fuel’s set, but I
did catch the last song. I didn’t really follow Fuel passed their album “Something
Like Human”, but I’ve listened to “Shimmer” a pathological number of times. Who
doesn’t melt hearing Brett Scallions sing, “She dreams a champagne dream, strawberry surprise, pink
linen and white paper, lavender and cream, fields of butterflies, reality
escapes her”? Sometimes I can be such a girl.
When I photograph
musicians, I’m generally shooting the next generation. It’s invigorating, but
dipping down memory lane to photograph a band you enjoyed as a 13 year old with
your nose up against the TV screen is quite a treat.
opened with Welcome to the Fold, the
perfect greeting. Richard Patrick looked fit and happy, and his voice matched
the pushing 20yr old sound of the recording. His voice goes from sweet to
scream fluidly without strain. Filter won me over years ago, expressing the
lovely hormonal teenage cocktail of emotions, all the anger and angst that
we’ve come to know and love as “very 90s”. Even as a so-called grown up it was
cathartic participating in the rebel yells during pleasers like Hey Man, Nice Shot,Welcome to the Fold and Best
an outstanding ability to immerse himself with the fans, he literally puts his
body on the line, pouring himself out over the crowd, surfing like it was 1999.
It’s 2012, so bands have to work harder than ever to connect with a dying and
distracted audience. Bands have to show loyalty and not only tour, but create
new music to keep fans interested. Even if the fans are still only holding onto
the commercial glory days of the band, the new music is what keeps the band
fresh and excited when they’re out performing.
During Filter’s heyday of hits I appreciated the songs, but
didn’t delve deeper because in those days I was distracted by the baby pink and
blue pop commodities. Forget bringing home a CD with a parental warning. So I
got my rock fix from MTV and VH1 when music videos were on TV, and rock could
still get through the mainstream. Take a
Picture tugged on my heartstrings, the video felt like a melancholy teenage
Disney ride. I finally got Short Bus and Titles of the Record in college. Stuck in Here , So Cool, I Will Lead You,
and I’m Not the Only One were some of
my favorites. Of the late 90s-early 2000s crop of “neo-grunge” bands, Filter
always stood out from the rest. Filter’s mix of rock and electronic is tied to
a very specific time, so it’s great that they’re still out there playing as
hard as the early days. Every teenager (and adult) needs a “Hey Man Nice Shot”
song to yell along to. Now that I don’t need permission, I’ll be getting
Filter’s new album Gurney and the Burning